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April 4th, 2010 by yvette1151199Agent Aika: Naked Missions Movie Streaming
January 8th, 2010 by yvette1151199![]() |
Agent Aika: Naked Missions Movie Streaming.
Movie Title: Agent Aika: Naked Missions Agent Aika: Naked Missions is available for streaming or downloading. |
First off it’s worth mentioning that this DVD includes Naked Mission and Lace in Space and is 120 mins long, not 60 mins as stated in the technical details on this site.
Okay…where should I start? Well, let’s get this over and done with. Panties. Yes, there’s lots of them, and as other reviewers have mentioned, if you are likely to be offended by (or feel uncomfortable viewing) a seemingly endless number of shots of white panty covered crotches, skip this and move on. There’s a lot. More than a lot, actually. There’s tons of them. Trust me.
However, it’s worth saying that all this gratuity doesn’t spoil Aika in any way. It’s not a randomly tacked on interest grabbing ploy. It’s an fundamental part of the whole deal. If you’re going to view it as a full-on action based story, and that alone, then you will probably be quite disappointed. But, if you accept it for what it really is – a pervy, sleazed-up, cheesy parody with a Bond style plot skimming along behind it all – then you’ll be just fine.
You’re certainly not going to be buying this for just the story. You buy it for the whole package. Panties and all…
Oh, there is also some nudity as well, but it’s nothing to get flustered about. All pretty basic really. And anyway, the impact of what little there is gets pretty much overridden by a continual stream of white-knickered nether regions; and that’s far more rude.
Moving on though, the art is well above average and cleanly and crisply executed. Colours are good and well chosen. The character animation is pretty much without fault, very funny in places (particularly facial expressions) and is generally very slick, especially (as you would expect and hope) during fight scenes. My only concerns lay with some of the English voice acting, and I mean some. Most of it is just fine and well matched. Especially Gusto. The English voice dub really made that character for me. Unexpected and very funny. However, Rion’s English voice actor did manage to miss the mark in a few places, and there were a couple of occasions where she really didn’t match the emotion of the character’s visuals. Saying that though, the original Japanese voice actor missed the mark as well on occasions, so I won’t hold that against her too much.
As for the music… Well, I didn’t notice a huge amount of it during any of the episodes, but it never seemed absent. So, I guess it worked okay. The opening theme (extended for the included music ‘video’) rocked though. Very upbeat with enough electric guitar work to keep the whole thing moving along nice and slickly. Good work there. Unlike a lot of anime titles, it actually added to the feel of the whole work, rather than just plodding along with it.
Overall, this is sexy and kooky enough to be a worthwhile purchase with plenty of good set-piece scenes to boost its replay value. Whether you like it or not isn’t going to be down to how easily you’re offended. Most anime fans, whether they be male or female, accept that fan service, in varying degrees, is pretty much always going to be part of the deal. The deciding factor is going to be your overall expectations of the whole thing.
As it is, it’s a cleanly executed, humourous, gratuitous panty shot filled Bond style satire with both serious and fun characters and a reasonably tight plot holding it all together. See it as that and buy it as that and you’ll be more than happy.
I bought this DVD as a replacement for a much borrowed tape (which was bought primarily to complete my Aika collection and to satisfy my curiosity). Reviewing it again though was just as impactful as the first time around.
Trials 5, 6 & 7 really do redefine ‘fan service’ way beyond what most of us would consider normal, especially Trial 6. The sheer amount of up-the-skirt camera angles, upturned bums and crotch shots has to be seen to be believed. It’s quite ludicrous.
Okay, that doesn’t really bother me, as such. I’ve reached a time in my life where very little shocks me any more. But, as with the first time around, I must admit that I found it a little difficult to justify why I was watching it, other than for the purposes of pure sexual titillation.
Trials 1-4 worked fine for me, even with the incredible amount of panty shots, due to there being a reasonably cohesive plot running in the background, some basic character development and silly visual humour. That kept the whole thing rolling along in a obvious direction, which was good. Also, as a stand-alone concept, this particular mini-series (pun not intended) could even be considered a ‘classic’, or at least a defining moment in anime history.
However, the plot behind Trials 5-7 really is nothing more than an excuse for an ever increasing number of white knickered bums and crotches. Which is absolutely fine, if you accept it for being just that.
As it is, the latter I can easily deal with. I’m male and I’m quite happy to admit that I like looking at pretty girls in short skirts, animated or not. Most guys do. Neither do I have any real objections to having numerous shots of tightly fitted panties paraded before me. It’s a purely sexual thing. Deal with it. But the singular lack of any really creditable direction (even allowing for the ‘revenge’ angle) did tend to get a little boring in places. The whole thing is basically just one big glorified cat-fight, and just a little more depth would have gone a long way.
The mildly saving grace of this batch is Trial 7 in which Gusto makes a welcome return, along with secret agent Maypia – although neither of them really do that much this time around. From that moment on, *some* of the silly humour that was present in the first four episodes reappears and manages to lift the whole thing up a notch. Unfortunately, it’s minimal and arrives a bit too late in the ’story’ to do much else.
Visually though, the artwork and animation retains the good standards of the first four episodes. So no real complaints there. The voice acting is on par with the first batch too and, once again, Gusto’s English dub is ridiculously funny. Overall though, the whole thing looks very pretty, and the new theme tune works nicely as well.
So, should you buy it?
Well, if you bought Naked Missions (Trials 1-4), it’s probably worth it for the sake of owning them all. If you like nothing more than sitting around for an hour and a quarter looking at gratuitous shots of knicker gussets, go ahead and buy it. You’ll adore it. If you want to own a piece of animated ecchi history, again, go buy it. However, if you’re looking for a good story and that alone, then forget it. You will be sorely disappointed.
Once more, as with the previous collection, whether you like it or not really depends on what you’re expecting. That’s what matters. Get that right and you’ll be fine.
On a final note though, I’m going to be objective about this. Basically, for what it does, it does it exceptionally well. There’s no doubting that. It’s patently obvious that the single reason for these extra episodes was to be as outrageous and as gratuitous as possible, and on that note it scores a big fat 12 out of 10. The sheer audacity of the Aika series in general and, in particular, the last three episodes is breathtaking. The producers make no bones about what its purpose is – or maybe they do – and for that you have to admire their gall and the end result.
All in all, I would say that it’s an excellent addition to your collection if you either like extreme anime, want to own the widest possible range of anime fare or are just prepared to accept it for what it truly is; animated soft-core porn. If none of those points apply to you, then skip it.
It’s your choice though. But if you’re new to Aika or anime in general I’d suggest you rent it, watch it alone (unless you really don’t give a damn what others think), and then decide.
Watch Transformers Online!
January 6th, 2010 by yvette1151199Watch Transformers Online Right Now!
“I bought a car. Turned out to be an alien robot. Who knew?” deadpans Sam Witwicky, hero and human heart of Michael Bay’s rollicking robot-smackdown fest, Transformers. Witwicky (the sweetly nerdy Shia LaBeouf, channeling a young John Cusack) is the perfect counterpoint to the nearly nonstop exhilarating action. The plot is simple: an alien civil war (the Autobots vs. the evil Decepticons) has spilled onto Earth, and young Sam is caught in the fray by his newly purchased souped-up Camaro. Which has a mind–and identity, as a noble-warrior robot named Bumblebee–of its own. The effects, especially the mind-blowing transformations of the robots into their earthly forms and back again, are stellar.
Fans of the earlier film and TV series will be thrilled at this cutting-edge incarnation, but this version should please all fans of high-adrenaline action. Director Bay gleefully salts the movie with homages to pop-culture touchstones like Raiders of the Lost Ark, King Kong, and the early technothriller WarGames. The actors, though clearly all supporting those kickass robots, are uniformly on-target, including the dashing Josh Duhamel as a U.S. Army sergeant fighting an enemy he never anticipated; Jon Voight, as a tough yet sympathetic Secretary of Defense in over his head; and John Turturro, whose special agent manages to be confidently unctuous, even stripped to his undies. But the film belongs to Bumblebee, Optimus Prime, and the dastardly Megatron–and the wicked stunts they collide in all over the globe. Long live Transformers! --A.T. Hurley
More Than Meets the Eye
| The Original Movie | Transformers Mania | The Soundtrack |
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Transformers was dulcet! You have to comprehend this movie! A rare performance by Shia LaBeouf & Tyrese Gibson make Transformers a “must observe” movie!
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January 6th, 2010 by yvette1151199Free download of Blu Eyes of the Broken Doll Online Right Now!
An ex-convict, troubled by dreams that he strangles women, is hired as the caretaker on an estate owned by three very strange sisters. Soon after his arrival, a serial killer begins slaughtering blonde, blu-eyed women – leaving their eyeballs in a bowl of water.
Complete uncut version of the film
Fullscreen (4×3)
Two audio tracks: In Castilian with English subtitles and English dubbed track
Introduction by star Paul Naschy
Audio Commentary with Paul Naschy and director Carlos Aured. Moderated by Angel Gomez Rivero
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December 29th, 2009 by yvette1151199Free download of Debating Robert Lee Online Right Now!
A group of jaded, laid-back high school students from Palos Verdes, California sign up for a debate class taught by a tough, combative teacher from the Georgia Military Academy who challenges them to find their own voice in a world designed to drown it out.
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Debating Robert Lee was fair and pleasant! You have to represent this movie! A glorious performance by Daniel Letterle & Dale Midkiff make Debating Robert Lee a “should descry” movie!
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Review of Late August, Early September Online
December 27th, 2009 by yvette1151199Get Late August, Early September Online Right Now!
French filmmaking sensation Olivier Assayas’ follow-up to his much-loved IRMA VEP centers on a cadre of thirty-something Parisians coming to grips with romantic uncertainty, professional upheaval and the looming spectre of their own mortality. Starring KINGS AND QUN’s Mathieu Amalric, 8 WOMEN’s Virginie Ledoyen and VA SAVOIR’s Jeanne Balibar, LATE AUGUST, EARLY SEPTEMBER also boasts a stellar soundtrack featuring Ali Farka Toure and Assayas regulars Sonic Youth.
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Late August, Early September was fair and pleasant! You have to see this movie! A striking performance by Mathieu Amalric & Virginie Ledoyen make Late August, Early September a “ought to respond” movie!
The staggering cast includes Mathieu Amalric, Virginie Ledoyen, FranCois Cluzet, Jeanne Balibar, Alex Descas. This cast just make Late August, Early September the more dazzling!
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Review of Project Greenlight Online
December 23rd, 2009 by yvette1151199Download Project Greenlight Online Right Now!
Miramax Home Entertainment’s Project Greenlight is a 4-Disc collector’s series that includes the 12-part HBO hit documentary series, the unveiling of the movie Stolen Summer and more than 6-hours of bonus materials. Project Greenlight began as an Internet competition (staged by Ben Affleck, Matt Damon and Chris Moore) held to find a script to produce. Out of more than 10,000 entries, former insurance salesman Pete Jones was selected. Jones not only got to direct the film, but was also given a $1 million budget from Miramax Films and a guaranteed theatrical release. The series chronicled how Jones, a first-time director, had to manage the difficulties involved in making his movie.
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Project Greenlight was rewarding! You have to stop off this movie! A incomprehensible performance by Brian Dennehy & Kent Kubena make Project Greenlight a “ought to stop off” movie!
The breathtaking cast includes Brian Dennehy, Kent Kubena, Steve Dontanville, Brendan Murphy (IV), Marie Frick. This cast just make Project Greenlight the more overwhelming!
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Streaming The Ten Commandments Online
December 19th, 2009 by yvette1151199![]() |
Streaming The Ten Commandments Online.
Movie Title: The Ten Commandments The Ten Commandments is available for streaming or downloading. |
While Cecil B. DeMille’s directorial skills were sometimes too rooted in the more grandiose style of the still era, he CERTAINLY was ALWAYS a master showman, and his 1956 remake of “The Ten Commandments” is a whale of a reveal! Both pious and profane, posturing and actual, it isn’t gargantuan history, but it abounds in spectacle. While he was in awful health during the filming (suffering a seizure that was either a stroke or collected heart attack, while working under the 130-degree Egyptian sun), his distinctive ’style’ was never more in evidence, with ample, overwrought performances, splendid costumes and sets, monumental climaxes, and morals that are repeatedly hammered home. In ‘classic’ DeMille, there ARE no ‘grays’, everything is ‘good’ or ‘evil’, and ‘evil’ WILL be punished! Watching the film, you’ll either be pleased the ‘ride’, or you’ll groan, again and again. Personally, I appreciate it, even with it’s unintentional(? ) campiness!
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Among my common ’so terrible it’s FUN’ moments are ‘Rameses’ Yul Brynner and ‘Nefretiri’ Anne Baxter’s frequent employ of “Moses, Moses…” whenever he predicts something dire (Brynner looks like he can barely withhold a straight face, uttering the phrase) ; ‘Sephora’ Yvonne De Carlo’s stoic, yet impassioned pitch to Moses to marry her, always looking away (’into the future’, I presume), when comparing her assets to Nefretiri’s; ‘Dathan’ Edward G. Robinson’s entire performance (nearly anecdote hamminess from one of America’s finest film actors) ; Woody Strode’s Ethiopian ‘Princess’ companion, who praises Moses’ kindness with so worthy heat and honey that Nefretiri suspects he was fooling around, down south; and Sir Cedric Hardwicke’s ‘Sethi’, turning an Egyptian Pharoah into a world-weary lovable executive-type (one can’t back but wonder how Rameses could be HIS son!)
Compared to Baxter’s scenery-chewing, and Brynner’s posturing, Charlton Heston’s portrayal of Moses is so understated that he’s often been criticized as ‘wooden’ in the role, which is unfair; while DeMille frequently posed him to match classic statues and paintings, his complete earnestness in the role, combined with his sheer physical presence, keeps him from receding into the backround of the spectacle that surrounds him. Despite thousands of Egyptian extras portraying Hebrews during the unbelievable ‘Exodus’ sequence, filling the cover, Heston always grabs and holds your attention; certainly no actor has ever been a more memorable Moses!
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The film has some very clear merits; many of the special effects (particularly the ‘Angel of Death’ vapor, and the massive parting of the Red Sea) are unexcited amazing, today; Elmer Bernstein’s find is an often ‘over-the-top’ joy to listen to; and the cast includes some very provocative supporting players, including Nina Foch, Vincent Notice, and DeMille’s longtime associate, Henry Wilcoxon.
Taken as spectacle, as a colossal entertainment for the senses, “The Ten Commandments” is quite a point to, and it’s continued popularity over the past half-century is proof that many are mild captivated by it.
Cecil B. DeMille, master showman, knew his audience!
Okay. I admit it. Watching this Biblical fable, when it was a mainstay on ABC each Easter evening for some 30 years, I practically had the whole script memorized. . .even knew when Anne Baxter, as over-eager Nefretiri, would whisk into a wickedly fabulous pattern of over-acting. (”Moses. . .” she would coo, “occupy me in your arms. . .”) I must have seen THE TEN COMMANDMENTS dozens of times, and yet, each year, I plopped my carcass on the couch on Easter evening, popcorn and suds in tow, and watched Cecil B. DeMille’s 4-plus hour account, completely mesmerized and entertained.
All of us know the story: a once-great Egyptian prince leads his factual people, the Hebrews, into freedom from four centuries of slavery and bondage. It is a vast chronicle, as four books of the Former Testament aptly, well, attest. Yet what makes this flick truly fantastic, impressive, and fun to peep, is the scope and vast scale of DeMille’s 1956 epic–from the awesome vistas of Egypt, portrayed on a blue conceal in some Hollywood studio, to the blatantly corny, often comical, dialogue and actions of its characters (a distant reflection of the tranquil film icon who dominates this relate) . Accordingly, THE TEN COMMANDMENTS, in particular, this DVD Special Collector’s Edition, is an absolute blast for film buffs thirsty for more trivia and knowledge regarding one of Hollywood’s alltime classics.
Here, in the astonishing commentaries that accompany the film, “The Ten Commandments” student and author Katherine Orrison furnishes an astonishing, attractive, and overwhelming avalanche of information. For instance: Did you know that DeMille’s first choice for Queen Nefretiri was not Anne Baxter, but Audrey Hepburn? Yet, unfortunately, Hepburn lacked the figure to possess out the silk gowns so prevalent for her character, so Baxter got the nod. And. . .William Holden, not Yul Brynner, was pegged to play Rameses. . .yet Bill didn’t want to have his head shaved, while Brynner was an international star following his clean-shaven skullcap in the “King And I.” Brynner looked “Egyptian”; he got the portion, Holden was dispatched.
And I loved the “diaper pen” disclosure of infant Fraser Heston, who, of course, is Charlton Heston’s son, and who played the baby Moses. I’ve watched this movie, again, dozens of times, but I never noticed the glistening diaper pen on sturdy Fraser’s diaper, as the baby laid in his willowy basket, until a giggling Orrison brought it to my attention. Yep, there it is; yet DeMille was on a tight schedule. No time to go abet and lawful.
In fact, I did not realize that DeMille, 75 when this film was made, suffered a devastating heart attack during production–a setback that threatened to bring the entire project to its knees, before his ambitious daughter filled in for her father, for three short days, before DeMille returned to navigate THE TEN COMMANDMENTS to its historical conclusion. This is pleasurable stuff, and Orrison furnishes microscopic details of impartial about everything in piquant fashion.
So, although Chuck and the gang no longer dominate ABC entertainment on Easter evenings, THE TEN COMMANDMENTS unruffled dominates the hallowed tier of fable lexicons. This movie, after some 50 years, continues to uplift and entertain; and this collector’s edition, with its just purchase of the facts, merely enhances the viewing experience.
–D. Mikels, Author, WALK-ON
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(Romance) Tilo runs a spice store in San Francisco and has a magical gift of seeing into her customers’ lives and desires. But, when a handsome, enigmatic American with a secret past enters her store, Tilo’s own desires are stirred for the first time.
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Meitantei Holmes (literally “Famous Detective Holmes,” 1981) was the last TV series Hayao Miyazaki (My Neighbor Totoro) worked on, directing the first six episodes and writing scripts for some of them. Copyright disputes held up the Japanese-Italian coproduction until 1984, when it was continud with different artists. A few episodes relate to the original stories: “The Crown of Mazalin” is based loosely on “The Adventure of the Beryl Coronet.” But this canine detective acts more like a standard cartoon Good Guy than a calculating criminologist, and Professor Moriarty resembles Oil Can Harry from Mighty Mouse. The series invites the viewer to play Sherlock Holmes and pick out elements that Miyazaki would develop further as his personal style evolved in his features: the mechanic’s daughter in “Small Client” is clearly the ancestor of Mei in Totoro. The English vocal cast turns in such uniformly drab performances (in affected British accents) that it’s more entertaining to watch the Japanese version with subtitles. Suggested for ages 7 and up: Minor cartoon violence, tobacco use. –Charles Solomon
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