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Streaming The Ten Commandments Online.
Movie Title: The Ten Commandments The Ten Commandments is available for streaming or downloading. |
While Cecil B. DeMille’s directorial skills were sometimes too rooted in the more grandiose style of the still era, he CERTAINLY was ALWAYS a master showman, and his 1956 remake of “The Ten Commandments” is a whale of a reveal! Both pious and profane, posturing and actual, it isn’t gargantuan history, but it abounds in spectacle. While he was in awful health during the filming (suffering a seizure that was either a stroke or collected heart attack, while working under the 130-degree Egyptian sun), his distinctive ’style’ was never more in evidence, with ample, overwrought performances, splendid costumes and sets, monumental climaxes, and morals that are repeatedly hammered home. In ‘classic’ DeMille, there ARE no ‘grays’, everything is ‘good’ or ‘evil’, and ‘evil’ WILL be punished! Watching the film, you’ll either be pleased the ‘ride’, or you’ll groan, again and again. Personally, I appreciate it, even with it’s unintentional(? ) campiness!
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Among my common ’so terrible it’s FUN’ moments are ‘Rameses’ Yul Brynner and ‘Nefretiri’ Anne Baxter’s frequent employ of “Moses, Moses…” whenever he predicts something dire (Brynner looks like he can barely withhold a straight face, uttering the phrase) ; ‘Sephora’ Yvonne De Carlo’s stoic, yet impassioned pitch to Moses to marry her, always looking away (’into the future’, I presume), when comparing her assets to Nefretiri’s; ‘Dathan’ Edward G. Robinson’s entire performance (nearly anecdote hamminess from one of America’s finest film actors) ; Woody Strode’s Ethiopian ‘Princess’ companion, who praises Moses’ kindness with so worthy heat and honey that Nefretiri suspects he was fooling around, down south; and Sir Cedric Hardwicke’s ‘Sethi’, turning an Egyptian Pharoah into a world-weary lovable executive-type (one can’t back but wonder how Rameses could be HIS son!)
Compared to Baxter’s scenery-chewing, and Brynner’s posturing, Charlton Heston’s portrayal of Moses is so understated that he’s often been criticized as ‘wooden’ in the role, which is unfair; while DeMille frequently posed him to match classic statues and paintings, his complete earnestness in the role, combined with his sheer physical presence, keeps him from receding into the backround of the spectacle that surrounds him. Despite thousands of Egyptian extras portraying Hebrews during the unbelievable ‘Exodus’ sequence, filling the cover, Heston always grabs and holds your attention; certainly no actor has ever been a more memorable Moses!
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The film has some very clear merits; many of the special effects (particularly the ‘Angel of Death’ vapor, and the massive parting of the Red Sea) are unexcited amazing, today; Elmer Bernstein’s find is an often ‘over-the-top’ joy to listen to; and the cast includes some very provocative supporting players, including Nina Foch, Vincent Notice, and DeMille’s longtime associate, Henry Wilcoxon.
Taken as spectacle, as a colossal entertainment for the senses, “The Ten Commandments” is quite a point to, and it’s continued popularity over the past half-century is proof that many are mild captivated by it.
Cecil B. DeMille, master showman, knew his audience!
Okay. I admit it. Watching this Biblical fable, when it was a mainstay on ABC each Easter evening for some 30 years, I practically had the whole script memorized. . .even knew when Anne Baxter, as over-eager Nefretiri, would whisk into a wickedly fabulous pattern of over-acting. (”Moses. . .” she would coo, “occupy me in your arms. . .”) I must have seen THE TEN COMMANDMENTS dozens of times, and yet, each year, I plopped my carcass on the couch on Easter evening, popcorn and suds in tow, and watched Cecil B. DeMille’s 4-plus hour account, completely mesmerized and entertained.
All of us know the story: a once-great Egyptian prince leads his factual people, the Hebrews, into freedom from four centuries of slavery and bondage. It is a vast chronicle, as four books of the Former Testament aptly, well, attest. Yet what makes this flick truly fantastic, impressive, and fun to peep, is the scope and vast scale of DeMille’s 1956 epic–from the awesome vistas of Egypt, portrayed on a blue conceal in some Hollywood studio, to the blatantly corny, often comical, dialogue and actions of its characters (a distant reflection of the tranquil film icon who dominates this relate) . Accordingly, THE TEN COMMANDMENTS, in particular, this DVD Special Collector’s Edition, is an absolute blast for film buffs thirsty for more trivia and knowledge regarding one of Hollywood’s alltime classics.
Here, in the astonishing commentaries that accompany the film, “The Ten Commandments” student and author Katherine Orrison furnishes an astonishing, attractive, and overwhelming avalanche of information. For instance: Did you know that DeMille’s first choice for Queen Nefretiri was not Anne Baxter, but Audrey Hepburn? Yet, unfortunately, Hepburn lacked the figure to possess out the silk gowns so prevalent for her character, so Baxter got the nod. And. . .William Holden, not Yul Brynner, was pegged to play Rameses. . .yet Bill didn’t want to have his head shaved, while Brynner was an international star following his clean-shaven skullcap in the “King And I.” Brynner looked “Egyptian”; he got the portion, Holden was dispatched.
And I loved the “diaper pen” disclosure of infant Fraser Heston, who, of course, is Charlton Heston’s son, and who played the baby Moses. I’ve watched this movie, again, dozens of times, but I never noticed the glistening diaper pen on sturdy Fraser’s diaper, as the baby laid in his willowy basket, until a giggling Orrison brought it to my attention. Yep, there it is; yet DeMille was on a tight schedule. No time to go abet and lawful.
In fact, I did not realize that DeMille, 75 when this film was made, suffered a devastating heart attack during production–a setback that threatened to bring the entire project to its knees, before his ambitious daughter filled in for her father, for three short days, before DeMille returned to navigate THE TEN COMMANDMENTS to its historical conclusion. This is pleasurable stuff, and Orrison furnishes microscopic details of impartial about everything in piquant fashion.
So, although Chuck and the gang no longer dominate ABC entertainment on Easter evenings, THE TEN COMMANDMENTS unruffled dominates the hallowed tier of fable lexicons. This movie, after some 50 years, continues to uplift and entertain; and this collector’s edition, with its just purchase of the facts, merely enhances the viewing experience.
–D. Mikels, Author, WALK-ON
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